Archive for the ‘Klezmer Music’ Category

Crafts of Colrain Studio Tour

November 11, 2010

We’re busy preparing for the annual Crafts of Colrain Studio Tour this weekend. Read about the tour and the artists at:

http://www.craftsofcolrain.com

I have new calligraphy work, original pieces and prints, Joe has some new photographs, and I’ve been making a small but eclectic collection of jewelry as well. One new piece is the Irish saying that begins, “May the road rise to meet you…” made in memory of Sean O’Connell of Colrain.

We are instituting a new event this year, since we usually aren’t open on Shabbes (the Sabbath), only on Sunday. This year we are offering a new event, a Preview Benefit for Temple Israel on Saturday evening, 7-10 p.m., after the end of Shabbes. A portion of all sales from this evening will be donated to Temple Israel.
Join us for art, refreshments and good company for an enjoyable evening.

Sand and Stars Invitation

February 14, 2010

Vayishlakh invitation set

This is an invitation created for the parsha “Vayishlakh,” when Jacob is promised that his descendants will be as numerous as the sands of the sea. The design includes that verse, the sand and the sea, and, referring to the earlier promise to Avraham, that his descendants will be uncountable like the stars in the sky, the invitation was printed on a paper impressed with gold foil stars. The invitation was adhered to a glistening brass-colored paper and hand-cut to reveal the Hebrew verse at the top and the star shape at the bottom.

My new style of adding an illustration to the respond card envelope is shown here.

Simcha Music: Tempo

November 1, 2009

I’ve learned a lot about music from playing in the Wholesale Klezmer Band. I play the flute and lead dancing. It has helped me see more clearly the band’s role in making a celebration truly happy.

There is a tendency, especially when a band has just one “Jewish set” that they play, to play the music at a frantic, fast tempo for that whole set. The result is that the dancers get breathless and soon leave the dance floor.

My preference is a slow approach, where the tempo and intensity of the music build, so that it is easy for guests of any age to join the dancing, people have  a chance to look at each other and feel connected by the music and the movement. As the tempo of the music changes, when the dancers make their steps smaller, they are able to keep on dancing. It is very aerobic, and doesn’t have to be taxing. We play for a good 45 minutes in a dance set, and want to keep as many people dancing as possible.

One of the things I like to have happen is that, when the bride and groom or the bar or bat mitzvah are lifted in chairs, the circle of dancers keeps circling around them, perhaps in more than one circle, going in opposite directions. It increases the exuberance and sense of celebration. When the music has gotten too fast too quickly, the dancers see the lifting of the chairs as an excuse to stop dancing and to clap hands, standing in place.

It is part of traditional Jewish dancing for one or two people to go into the center of the circle and “shine,” the Yiddish word for this kind of dancing. Those in the center may swing each other around, might do a “kazatske,” walk on their hands, or do a “step-kick” circling movement; while they’re taking their turns, it again feels more festive if the circle around them keeps going. It is great when the band can encourage this kind of dance participation with the way they play the music.


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